Ambush

Oh my God. I just accidentally watched like five minutes of Def Poetry Jam. Gross.

Don't wait for the translation.

So, my mom finally browbeat me into letting her try out that dog translator device she bought. We were sitting by the pool, after a delightful lunch of barbecued meats and fancy cupcakes on Father's Day, and she was talking about how obnoxious Audrey becomes when I'm around. It's true. She spent two weeks with my parents while I was in New York and starting my new job, and she was apparently quite nice to them. And then I come around, and she turns into a little monster again. So Sarah and my mom put the batteries in the thing, and I attached it to Audrey's collar. The device transmits to a handheld walkie-talkie-looking receiver that is supposed to tell you what your dog is "really" saying. And when my mom first pitched it to me, I rolled my eyes and assured her that it would not reveal any of the nuance she was probably aspiring to. On the outer packaging, the word "Bow-lingual" appears. So you see.

Now, I have to be honest. When Sarah started programming the thing, it wanted to know Audrey's name and what breed of dog she is and a number of other details that made me wonder if maybe this thing might actually be legit. But then my mom began antagonizing Audrey in an attempt to get her to start barking, and when Audrey barked -- viciously -- the receiver said, "I want to see the world!" And a little smiley dog face appeared. Then, when Audrey got so violent in her barking that she unintentionally bit my arm (P.S. It hurt like a son of a gun.), Sarah laughed and announced that it said, "I'm happy!" Touché, pet marketing industry. Touché.

Up. And also at them.

So that's it then. Two weeks of having to be up for morning meetings and apparently I get up early on my own.

I drove down to San Diego last night, tired when I began the drive and anticipating more of the same. I ducked into a liquor store before stopping by the comedy theater, so I was armed with sugar-free Red Bull and the small (but not the smallest) bottle of Bushmill's. I watched the second half of the second show and then went to C.J.'s with Krissy and Dorian and David and Janet, and we stood outside, smoking and talking until the bartender came to the window nearest me and asked me wanly to let everyone outside know it was last call. I did. And a discussion ensued with a guy who was probably trying to be clever. There were a lot of moments when I was spinning yarns and I noticed that strangers standing near us had positioned themselves as if they were in our party. Peripheral vision powered up, I could see their facial expressions registering the appropriate amusement or horror or curiosity or disbelief, but I wondered if it felt weird for them to be standing there listening to me talk about my mom without ever knowing who I was or why any of it mattered. No one really tried to make friends. Rather they stood there and acted as if they already had. Only skipping that important step of actually doing it.

I stayed out last night until C.J.'s was nearly closed. Then I drove the twenty-some miles back to my parents' house and reunited with Audrey, after having not seen her for two weeks. It was sweet to say the least. I got ready for bed and found that I couldn't get onto my parents' wireless network, so I turned in a bit earlier than blogging and messaging might normally have had me do. But still. I was not drifting off until at least three or so. And there I was, up before eight. Surprised to see that my parents hadn't yet left for church. For the many weekends I have come to visit here and stayed out till all hours with my compatriots, I have never been voluntarily awake before they left for church. Unless I had not yet gone to sleep. I'm a little disappointed. I don't like it when things fuck with my clock. I always assume I should be out of the reach of such things.

It's a beautiful day in San Diego. A beautiful day to be the daughter of my father.

"Three women will understand that."

I came home from my workshop to find the last bits of a documentary about Yves Saint Laurent on the Sundance Channel. He is iconic to me. His name is on the perfume I have been wearing since I was a freshman in high school. I once had a very extravagant and pretentious idea of what my wedding dress might one day look like. It was inspired by a design of his. And it involved a turban. I know. Anyway. The lithe, swan-necked figures in his drawings are what mocked me in my pudgy girlhood. Even when pudgy became voluptuous, it still felt pudgy to me. I will never be that wisp of a creature whose angular shoulders and sharp-edged hips swivel in their sockets as she strolls past with Parisian abandon. I will never be the woman he wants to dress. And I've come to terms with that. I'm just busy struggling to be the woman I want to dress. That's a movie in itself.

When I was leaving the studio today, there was a shirtless guy standing behind a van with its back doors open. He was changing. And speaking to someone on what may have been a two-way radio about the directions he was to take. "Which way do I go when I get to Vine?" He was very pretty. The kind of pretty I find to be detestable. And I don't mean because of bitterness or resentment or because I want the world normalized. I just mean that there is a certain brand of handsome that I find gross. Guys who look like Chippendale's dancers are a massive disappointment to me. And I think if all the hours they spent in the gym and having their eyebrows waxed and having those highlights put in their George-Michael-in-the-days-of-Wham! curly hair could be turned into currency or fuel or a cure for cancer...well, the world would have more money, more fuel, and less cancer. It was a very Hollywood thing to see. I am surprised by how run-of-the-mill it has become for me. Standing in hallways talking to people about auditions within earshot of people who are standing in a hallway waiting to be called in for an audition. Postcards for shows and headshot photographers stacked on every flat surface. When I used to audition for theatre in San Diego, it always felt like something somewhat removed from the reality of living in that city. A very small community of people who know how to behave in this setting. A limited number of rooms where stacks of headshots with resumes stapled to them are being organized by a woman in a black outfit with an over-serious expression on her underexperienced face.

I continued past the van guy. I imagined he was changing on his way to his next singing telegram gig. And then I heard a whistle from across the street. Not a wolf whistle. A hey-look-over-here whistle. The kind of whistle you might use to call a pet. I don't know why I looked. I suppose there might be someone in my class who doesn't know better than to do that. Or who doesn't know my name and didn't know what else to do. Or who is just a very poor communicative whistler. So I look over and don't see anyone on the street looking in my direction. I hear, "Hi, there." And I have to scan the horizon twice to eventually find a guy sitting in the screened upstairs window of a building across the street. I don't know what the building is. Possibly a residential hotel. I assume he isn't talking to me and continue towards my car, and he calls out again, "Hey! Hi!" I look over again, and he says, "How are you today?" And while the polite me is tempted to answer, I realize that I definitely don't want to have a chat with someone across the street and one story up. I don't care who the someone is. I don't like having to yell.

Last night, I was on my way to meet Jessy and Brian at the Mountain Bar, but we changed our plans and met at Short Stop instead. We had a nice chat. I was tired but -- to the untrained eye -- effervescent. Engaging. That's a game I play well. Brian and I exchanged enthusiasm over Gibson guitars and rich neighborhoods in San Diego and Irish whiskey and the music industry. I told him about a fascinating Fresh Air interview with Les Paul I heard this past week. And the three of us gabbed about how deceptive a job interview can be. I likened a job interview to a date with someone you don't know. They present this lovely face to you and everything seems great, and then one day you're sitting at your desk and you realize, "This job has herpes." My job has not so far revealed itself to have an unpleasant venereal disease, but I am also easily distracted by a bomb ass espresso machine. We have a Miele.

When I was walking back to my car, I passed a crowd of patrons who were leaving another bar at closing, and one guy said, "I like your pants," and a girl said, "Great haircut." I thanked them both. I was appreciative, but truthfully I was feeling about as unattractive as I have felt in recent months. I'm still in that mode today for some reason. Frowny and displeased. Covetous of tapeworms. I'm not saying don't compliment me. And I'm not saying do. I'm not saying I'm ugly or pretty or anything in-between. I'm just saying that sometimes I'm oblivious because nothing exists outside of the narrow version of me I am currently judging in my brain. And that judgment never comes out in my favor. Maybe that's why I fear municipal authority as a rule. I just know that, if I were ever tried for any crime, I would be convicted. Whether by the judge or by a jury. There's just no way they wouldn't hate me. At least that's the way the script reads in my imagination.

According to this new documentary that started as I was writing this, Yves Saint Laurent got his grandmother to change her dress when he was three years-old and didn't like what she was wearing. I envy people whose lives have been such a singularity. I really do. I envy the public figures whose episode of A&E's Biography consists of testimonials from all who knew them that they were always on the path they eventually took. "It was clear that he should be an actor from the first...It was obvious that she had an attraction to and a gift for the culinary arts...He was never going to be anything other than a garbage man..." No such story could be told of me. Except that I was always talking and sometimes being asked to stop. But I wanted to be everything. A writer first. But everything else, too. A writer primarily. But on the weekends, maybe a ballerina or a paleontologist or a policeman or an astronaut or a U.N. translator or a filmmaker or a physicist. And let's face it. Ballerina was never very realistic.

I don't know how to choose what will be written on my file folder. I've been reluctant to write in permanent ink for fear that it would entrap me. I've been reluctant to have just one business card. Or to have one at all for that matter. I've wanted to be certain I would live at least three lives. Maybe as many as six. If I'm honest, twelve. I've wanted to try my hand at things. And I'm beginning to realize that at some point, your hands become old and palsied and you run out of things you can set them to with any deftness. A more organized person might have chosen to start the delicate artistic pursuits in girlhood and save the more abstract careers for later. I was never so logical. And it takes me time to catch up and settle in. I required significant adjustment cushions each time I changed the part of my hair.

Tomorrow is Father's Day. I had thought to buy my dad a really huge and hopefully sexually-charged poster of Denzel Washington so I could say, "Here, Dad. This is a poster of your boyfriend. You can put it in your locker." That would be a funny joke. And perhaps less of a joke than comfortable people would allow themselves to consider. But I never found anything suitable, and my schedule this past week has left me little time for such things. It's not just the day job that sucks up my time like so much soup through a straw. I think having a day job actually makes my life fuller in some respects. At the end of the work day, I am already dressed and still to some extent prettied-up, so I can accept invitations to meet for dinner or drinks or to attend some highfalutin affair and not require a great deal of preparation time. When I was working from home, I might work all day long in my pajama pants and get to seven or eight in the evening without having had a chance for a shower. And all of a sudden the prospect of having to get ready to go out is more complicated and burdensome. And that resulted in a few more nights a week in. I was out every night last week. And every night but one the week before. I don't know if the scales will eventually change their markings for me on this topic. If being out will cease to have more value than being in. I hope so. Otherwise, my old age may be a challenge.

Yves Saint Laurent looks a surprising lot like Crispin Glover. That is an associative shame.

Toe-Tapping

ABBA's Two for the Price of One came up in my iPod randomize-a-ma-tron, and I was sorry to be sitting in an office with earphones on. Oh, how the world would hear me singing along if there weren't such a thing as shame.

We felt the earthquake a couple of hours ago more pronouncedly than I think I have yet felt a quake in California. I actually thought someone was jogging my chair to get my attention. Then I realized the open beam and suspended architecture were all swaying and lurching. And the lamppost whose neck I can see out the front window was quavering like a weed in the wind. A lot of people in the office cried out when it happened. And then the loud murmur began. Everyone has a story to tell of a quake they've been in. And if they haven't, they can tell the story of how they've never been in a quake before. Talk talk talk. And then eventually we lose interest and go back to what we're doing. I was on the phone with one of my co-workers when it happened. We said the mandatory four or five sentences you have to say when that happens. And then we got back to business. What a resilient bunch of creatures we are. You feel fear when it's happening, and that fear comes from the anticipation -- I assume -- of injury. But once you escape unscathed, you forget that you were ever at risk. Maybe that's naive. Maybe it's pragmatic. The first people to fly on a commercial airplane after September 11 must have had to negotiate this territory. And if you play the odds at all, you know that it's far less likely to happen to you anyway. Not right after it already happened to someone else. Your brain spins through all of this in a split second. And then you realize you are a little hungry. You're not sure what you want. Maybe something sweet this time.

I miss watching Star Trek episodes while working from my couch. But I also love that I package my days differently. I'm not allowing myself nearly enough time to rest or recover. I took Tom to Ruth's Chris last night as a belated celebration of his birthday (which was in February), and we ate like bloody kings, he with his scotch and I with my whiskey, the both of us with our wine. And then we talked till the hours reverted to the wee state, and I shook my head, because I had begun the day yesterday in such a taxed and tardy state. After workshop, a few of my chums and I went to Birds, and I drank what was probably too much whiskey and for what was definitely too many hours. And I woke up very late and had to scramble to get dressed and to the office for a 9 a.m. meeting. Which I managed to arrive in time for, but not in the most put-together condition. Although, my assumption is that no one I work with was any the wiser. Except maybe Brad*. The day was packed from beginning to end, so when I headed home, I was already planning my Red Bull strike and a shower and lazy outfit choices. So anyway I do this nearly every night now. The price of a day job, I suppose. No real complaints. Just concerns about what part of my motor functions I will lose when I finally do have that stroke I'm expecting. I had a great big coffee and then a great big espresso and then a great big iced coffee. And a few pistachios. If I had to put money on it, I'd guess it will be some of my speech and the use of the right side of my face. But I'm open to your thoughts on this.

Do you think Stephen Merritt is a brilliant and stupefying genius like I do? If not, put this in your stupid pipe and smoke it: I should have forgotten you long ago, but you're in every song I know...I haven't seen you in ages, but it's not as bleak as it seems. We still dance on whirling stages in my Busby Berkeley dreams. I guess you feel pretty dumb right now. As well you should.

Earthquakes appear to make me unnecessarily combative.

*This time it was absolutely because you're reading.

A Hideous Cliché

I was in the women's restroom of the acting studio where my Saturday workshop is held, and I saw the following scrawled on the wall of one of the stalls: "The hard is what makes it great. -- Tom Hanks" With all those actors pacing on the sidewalk out front, going over their sides and running lines with friends or scene partners, I suppose it isn't surprising that the only graffiti in the john would be a movie quote. And one said by Tom Hanks, no less. That's actor graffiti if ever I saw it.

Outside the I.O., I admitted to Jessie, who is one of the ranks of friends of mine who likes to tease me about my apparent inability to smoke convincingly, that I am a bad enough smoker that I often manage to smoke right into my own eyeball. And Jessie encouraged me by responding, "Well, seriously though. You do have big eyeballs." That doesn't really excuse the thing I sometimes do when I use a lighter and then shake it out as if it was a match, though. I don't think there's any excuse for that.

The movie on my return flight was Racing Stripes. I could have told you that it was going to be a dung heap. I may actually have already done so. If only by reference to the trailers for it. But I can now expertly assure you that it is an awful, awful movie, and the fact that the end credits are accompanied by a Sting song written expressly for the film is not an unfitting detail. I also noticed on my return flight that, while I am not allowed to bring a pair of tweezers on the plane or a lighter or even to have matches in my checked bags, apparently the lady sitting to my left was allowed to bring a GIANT pair of aluminum knitting needles on board without any complications. I guess she must have been knitting some kind of freedom sweater.

I wrote in my notebook last week, "It's hard to feel sad when something is almost making you happy." Nothing that was true at that time is true any longer, but the truth of it at the time makes me want to keep exercising my hands, so that when another feeling of that kind comes along, I'll be able to hold onto it.

I'm always awake for earthquakes.

I felt this most recent one this morning. And I was awake when I felt it. But I don't know if it was what awakened me or if I just have a weird feral sort of premonitory power that makes sure my eyes are open when things wiggle around. It could be either. I place no value on it.

I didn't go to sleep until five thirty or so. So an earthquake in the eight a.m. hour that found me awake is saying something about me and my sleeping. I did go back to sleep eventually, but only for an hour or two. I did a lot of tidying today. And my friend Jeff stopped by, toting an iced coffee for me (praise heaven), to pick up boxes for his move. And we ended up talking about art and looking through my mountain of art supplies, and Jeff even drew a little guy with my super fancy Copic markers. It looks sort of like Hitler with a very healthy blush to his cranky face. All that talk and art time made me anxious to make a painting or something. And also to go to Comic-Con again, where I can't help but buy fancy art pens and books that make me want to draw things. I am still looking forward to it. But for some reason, I don't have as much hope and thrill tied up in the anticipation as I did earlier in the year. I'm not sure why that is. I know you only want what you can't have, but I didn't realize there was an algorithm pertaining to how can't the have is on an axis of time.

My landlord had some trees removed from the front of our building. The big, frosty louvered windows in my living room are brilliant white with sunshine. Blinding, almost. When I came out of my bedroom yesterday morning, I was confused. Wondered if I'd left my door open accidentally or something. How could there be this much light in here. Today, I was not as surprised, but I was dismayed at how much dustier and lintier everything looks when the room is so well-lit. My living room is all of a sudden very, very bright. And I suppose that will be good for some picture-taking. But it also means that -- when it's hot and I want the windows open -- I will have to rethink the "liberal" flavor of my at-home attire. Especially with that neighbor across the street still planning our wedding and everything. There's no need for him to get an eyeful of anything but what squirts out of one of those trick corsages. "Honk! Honk!" is the sound I imagine happens when you squirt one of those things. Even though I'm sure there's no horn involved.

From what I can tell, you need to be in pretty good shape to look good in spacesuits.

Maybe I will go draw a tree.

"Boffo, Lenny. Socko, Lenny."

The Muppets Take Manhattan is on again. And I'm right at the part where Kermit is executing part one of his three-pronged strategy: "If you can't beat 'em, join 'em." I will fall asleep to its familiar intonations. A long, long time ago -- before there was a maryforrest.com, I was trying to think of a domain name that would be the essence of me. And I almost reserved the domain boffolennysockolenny.com, which is a reference to a line of Kermit's in the aforementioned feature film. The reason I did not is that I loathed the idea of having to spell it for everyone I ever said it to. The fact I did not proves that I am kind of a jerk and a loser when it comes to saying fuck everyone on account of my whimsical dreams. I should totally have just gotten that domain and made it bomb ass. Right?

I will fall asleep with little effort, I assume. I have been tired and bedraggled all day. I drank two sugar-free Red Bulls during my workshop today, and then I went to The Improv Olympic, where I was able to catch the last batch of shows in the last day of the festival. I met up with friends from my Tuesday workshop and ran into plenty of people in my Saturday UCB workshop and plenty of people from other workshops I've taken. What a glut of conglomeration that place is. It is something I dig. I think we began having cocktails at around five. And kept on keeping on long into the night. We watched the ASSSCAT and Beer Shark Mice shows. Ian Roberts was wearing the same shirt he wore when teaching my workshop this afternoon. And Neil Flynn appeared to have been wearing the same outfit he wore when he performed in my spec script reading last year. I do not mention this to be critical. I mention it because it sometimes even surprises me how closely I pay attention to what people wear. Even when I have no reason to log the data. I remember all sorts of details about what people were wearing. I remember a disturbing amount of detail about what I was wearing. In almost every circumstance. Even well before I began documenting nearly every day's outfiture (a word I just made up) with my various cameras. It is not uncommon for me to wear at least two different ensembles in the course of a single day. And by "at least," I mean sometimes it's more. And by "more," I mean sometimes it's ridiculous. Anyway, I guess it's a mnemonic device. I mark things visually. I picture stuff. I remember things in their place. When I can't find something, I can sort of close my eyes and divine my way back to it by remembering what I was doing and where I was going when I last had it in hand. Today it happened with a lipstick. I found it right next to the DVD player in my bedroom. And I totally remember exactly how it got there.

I'm happy to be back in Los Angeles. It's not that New York isn't full of things to be excited about. But I didn't really get to experience many of them. And the weather made me happy to come home to my un-air-conditioned apartment. It may get hot here very soon. But I will remember those days on the sidewalks of the Lower East Side, and I will notice that -- as hot as it ever gets here -- it hardly ever smells so strongly of turnips. Anyway, I'm glad to be back. The weather here has been stunning and lovely, and I have been comfortable in my clothes. And even though I feel a great push and pull on me at the moment, and even though my discombobulation appears to be temporarily unfixable by Red Bull, Jameson, or starvation, I have faith that it will abate, and I'm not so impatient that I can't sit still in the meantime.

By eleven, I had to make plans to go somewhere food would be served. So Jessie and I went to the Rustic, and Jeff met us there, and then Tim and Phil showed up a while later. Everything I tried to order could not be had, so I ended up having a burger which -- while admittedly delicious -- was not at all what I had in mind. And then I had to taxi everyone home, and that was a surprise to me. But the end result is I made it home all right, and I'm tired and ready for whatever comes next. And I have no problem falling asleep to Kermit The Frog. Partially because, when I close my eyes, I sort of pretend he's Ernie. And that makes for all the lullaby I need.

I like to wear horizontal stripes. I always have.

Different for Girls

Last night at Palermo, before the movie, Tammy swore off drinking because of being a little down. And I asserted, drink in hand, that I too am a little down. And she asked why. It seems that everything's going so great for me. And I said, well, you know how it goes. And she asked what was wrong, and I said, nothing nothing -- that I had had a few disappointments this week. And she smiled and said, "He's not worth it." And I laughed. Because I think it's funny how archetypal it is to assume that when a girl is feeling sad, it must be because of a guy. Does it always have to be a guy that's making me sad? Does it always have to be that? Can't it just be the weight of the world? Or the weight of me, for that matter? Or the exchange rate? But -- as with stereotypes in general -- that go-to assumption is archetypal because it is so often true. For instance, Chinese people really are bad drivers. I am a great driver. But I am an anomaly. However, I am not always an anomaly. Which is a little embarrassing. But then, nearly everything is.

Magical Mystery

After my first actually full day at my new job, I went to see Howl's Moving Castle tonight with Jeff and Tammy and Kevin. I was strangely tired and distracted and had trouble keeping my attentions from drifting. But when I was making sure to pay attention, I found the movie delightful. I really love the weird sort of fakely European world in which so many of Hayao Miyazaki's films seem to take place. They remind me of the Europe I imagined when I was reading Ursula K. LeGuin's Malafrena as a girl. A world where people eat bread and cheese for breakfast and make tea for something other than the smell. I've just gotten home from a trip out of town, but I still feel the tug of that familiar wanderlust. I still want to go further away. To places where I cannot recognize myself. To places where I can be someone else entirely and never be caught in the act.

I picked up six rolls of New York Lomos today. I have a great deal of scanning to do. And I am happy with a surprisingly thick stack of them. I like getting the hang of a camera. I like knowing what I'm doing in nearly every circumstance.

After the movie, we went to The Overlook (too loud) and then to The Dresden (too nearly closed) and then we stood outside and told stories for a while. And then I drove Jeff home with a new parking ticket on my lap.

There is a lot that goes on with me that never bears mention. There are a lot of stories that I will just plain never tell.

I'll be dead by Christmas.

Two hours sleep last night. Four hours the night before. Tonight, I will maybe get two and a half. I realize that I am in New York City, and that is what one does when one is here. At least when one is me. So do not misconstrue this as complaining. It is nearly five in the morning, and I've been out all night with one of my most precious friends, whom I've not seen since a brief airport rendezvous in the year nineteen hundred and ninety-six. He took me barhopping and stoop-sitting, and it was never nearly enough time. And I sometimes wish I could collapse the continent. Fold it right down the middle and bring my lovely friends closer to me whenever possible. I also managed to shatter a small candle and splash wax all over myself and him. At least he won't misremember me as someone not clumsy. Because that would be erroneous.

Today, I ate a plate of raw arugula with no dressing and a few raw oysters and yaki onigiri. I drank at least my own volume in iced coffee. And it's humid as all get out. And I wish I wasn't going to feel like I was never here when all is said and done, but there is a grave risk of that. Every time I step out onto the turnip-smelling street, I have to pause for a moment and go, "Oh, yeah. I'm in New York. Huh." Once I fully figure it out, I'll be back in Los Angeles, and convinced it never happened.

I should have packed a different wardrobe. I'm not at all pleased about my wearable options tomorrow. I like a Gershwin tune just fine. But New York in June is probably a bit lower down on my list. How about you?

There's no way around this being stupid.

I'm in my room at the W here in New York. It's more than quarter after five in the a.m. I have to be in the lobby in a few hours to begin my day of meetings. My alarm is set for seven thirty. That is not a lot of time between now and then. But I spent the sultry night casing the city, snapping Lomos, drinking, babbling, walking well in high heels, and wishing there was no meeting to go to. I got very little sleep yesterday to begin with. On account of it was my first day of work, and it included a flight to New York on an American Airlines jet that smelled of pee, a terrifying cab ride from the airport, a hasty change of clothes, and a realization that it's too muggy here for my hair to ever look good.

My awesome co-worker Brad suggested that he and I blog the shit out of this trip. So it is officially on. I've taken more photographs in the six hours I've been here than I took the last time I went to Disneyland. For serious.

I should have had a cigarette at that bar around the corner where people were smoking inside.

Push

I saw both of The Pixies' shows at The Wiltern last night, stayed up drinking whiskey until almost six a.m., and then went to Disneyland today for about three hours. I guess I'm preparing for the coming weeks when -- owing to a brutal work schedule -- I likely won't be able to do anything ever again. I had the best possible spot in the house for the ten o'clock show. And I have never been so much in love with a band ever. Inspired. Inspiring. Fucking bomb ass. I cannot sing the praises of the acoustics at The Wiltern with enough zeal. That joint is the only place to see a concert you care about, as far as I'm concerned. I'll see concerts nearly anywhere. Have one in your tool shed. Will there be booze also? I'll come. Especially if your shed is not all ages. But if you really care about the way the shit sounds, go to The Wiltern. You'll get your money's worth.

Anyway, I meant to be asleep already.

Admissions

I don't like a lot of anime. But I love Fullmetal Alchemist.

If I am eating a steak, and I realize I just got a mouthful of fat, I sometimes think twice before spitting it out.

I don't care for Angelina Jolie. I just don't see what all the fuss is about.

There are many things in my apartment that are lost to me.

For the rest of my life, I will always believe that Mozart really looked like Tom Hulce.

My heart races when I see police cars.

Chocolate-covered pretzels from Disneyland are easily more important to me than god or the bible.

I don't mind traffic. I like sitting in the car for long periods of time. And I also get motion sick. Even sometimes when I'm at the wheel.

I take a lot of pictures of myself, and I don't entirely know what the point is. It's sort of a project for me. But when people inquire about it or imply that I'm narcissistic or that there is something wrong with me or that they are concerned for my safety, it nags at me and I feel myself wanting their approval. Every criticism I face has the potential of changing me forever.

I still really wish dinosaurs were real.

Sometimes I think someone is not attractive at first, and then I realize that they are.

I compare myself to everyone. I don't like that I do it. But I do it constantly.

Things that used to make me cry or hurt don't always make me cry or hurt anymore. And then sometimes they still do.

I love comic books.

Part of me believes that the future really will be like Star Trek. And I can't decide which color of uniform I would most like to wear when I get there.

If harps have ladies' faces carved into them, I will always suspect them of singing.

I would rather be cold than hot. I am almost always both.

I get embarrassed easily. I am embarrassed almost all the time.

I am bonkers for my dog.

I used to think Sylvester Stallone was awesome. When I saw First Blood, I told people he was my favorite actor. I also once found a piece of notepaper with "I love David Hasselhoff" written on it, where the word "love" was actually a little heart. And I don't have any recollection of writing it, but it's totally in my handwriting. And I remember when Sarah and I watched the first episode of Knight Rider that Sarah said the guy who was the original Michael Knight was really cute, but I don't remember what he looked like at all. And I have never ever thought David Hasselhoff was cute, but apparently I loved him once. That scene with the close-up of his back and feet in the Spongebob movie almost made me barf. That's how much I don't remember ever having loved him.

I once got a detention for making fun of a kid with a broken arm.

I fantasize about reading.

I have been able to go out and have a good time without drinking. I don't like that this is true.

Sometimes I want to dance. And sometimes I don't want to. But I never want to dance when someone tells me to.

I believe I can fly.

I give a hoot. But sometimes I still pollute.

Given enough time, I will grow to hate anything I have created or performed. Sometimes, given enough additional time, I will come back around.

I don't like the taste of milk.

I always want to touch things you're not supposed to touch. And I am often tempted to poke at soft things in grocery stores. Like that crazy old lady in Tampopo.

I am irritated by the implausible cinematic representation of most computer interfaces. They are usually absolute bollocks.

I wish I had had braces as a girl. Partially because I have crooked lower teeth and partially because girls with braces were always so popular.

Very few things remain my favorite for long.

When I get angry, I cry.

It is easy as fuck to ruin my day.

I am always capable of identifying the worst case scenario.

I stopped eating onions and garlic because I was in a play wherein I had to both kiss someone and talk angrily at him at close range. That was almost nine years ago, and I am still in the habit of avoiding them. Sometimes I take consideration to apparent extremes.

I really, really, really try to be prepared for anything. It's very frustrating when I fail.

I want to be perfect. Every day is a failure.

I used to think I was a lot more awesome than I think I am now. I suspect that's what growing up is.

I am tired of waiting for Simon and Simon to come out on DVD.

I used to have a book of fractal patterns that I would color in with markers.

I want to understand the mysteries of the universe. And I have a lot of opinions about quantum gravity. I was a physics major at one time. And I liked it.

Routine is hard on me.

I spent the night in a bus station in Boston once. And I had many adventures.

I once got it on in a Burger King bathroom. (And it was in no way an homage to the Humpty Dance. That guy's nose was ridiculous.)

I am afraid of stairs and steep inclines.

I love it when something I say goes over.

I hate it when I'm the last to know.

I am more afraid of humiliation than of physical injury.

When I was in grade school, we gifted and talented kids got to go to this day camp for a week, where we learned about nature and conservation and animals and stuff. And each day, there was a mystery item in a box that you were supposed to stick your hand into and guess what was in it. And I could never bring myself to do it. I was so horrified at the idea that there would be a living creature in it or that it would be something that felt too disgusting to bear. So I never once entered the guessing contest. It always turned out to be like an empty tortoise shell or the molted skin of a snake. And I was always glad to have not touched it.

I lost my virginity to a Def Leppard song.

I have gotten away with a lot of things on the basis of my reputation.

I remember things the way I first experienced them. No matter how many times the experiences recur.

I think my father passed his pyromaniac gene on to me. My mom gave me the gene for loving noodles.

I don't like that there is a name for the madonna-whore complex.

I am growing more and more tired all the time.

This could be a much, much longer list.

I pretend I don't care, but I do.

Start Spreading the News

Well, wait. The next line of that song says, "I'm leaving today," and that's misleading, as I am not leaving until Monday. But I will be going to New York for a few days next week. It's for work and will be exhausting and will keep me from being able to go to Tom Brosseau's record release party (boo). But it also involves an aeroplane and packing a suitcase and probably at least enough time for a hot dog and the purchase of a postcard. And I love those things.

Business Card

So, I'm starting a new job on Monday. I just sort of fell into it, and it's nice having a new exciting thing to let my brain harp on. Nicer still to have an additional paycheck to deposit. Although I'm sure there is the risk of becoming overwhelmed and quickly. I had a brand strategy meeting today, and it was awesome going through that process again. I think I used the word "avatar" a couple of times too many. I'm no dot com bullshit artist. Really. But I sure know how to sound like one. If inadvertently.

This is an interesting, entertainment industry-type gig, and I've been hired on account of my apparently being dialed into the pop culture scene. Me? Who knew? I'm flattered. And already thinking of ways to turn my nightlife into a tax deduction.

I will be consulting, but I will be doing it on site in Beverly Hills. And to be truthful, I am even looking forward to having to be in an office again. Despite having a meeting to get to this morning, I stayed out plenty late last night, going to workshop, meeting Mig and Melanie at The Burgundy Room and then taking them over to Cinespace for drinks and a groovy bass line. Even stopping by Canter's on the way home to buy some chicken soup. As I was climbing into bed a little before five a.m., I felt triumphant in my certainty that having a day job again for a while isn't going to curtail any of my nocturnal shenanigans. I also noticed that the clock/radio beside my bed is still a few hours off. There was a power outage a few months ago, and I never bothered to set it. Which says something about how often I feel the need to rouse myself with an alarm. So, I may have to set that clock. And I may have to try and be sensible about sleeping, but I'm going to fight the sensible part. I'm going to fight it like some people claim to fight colds. I shake my fist at bedtime. The only real scheduling issue this new job will present involves having to walk my dog. And that will be an even bigger problem if I end up having to go to New York next week.

Really, though, even when I first moved here and had a day job and was often required to be at my desk long into the night, I nearly never said no to a night out. And I nearly never went to bed before the wee hours. There's evidence of that in blog entries of old. I like to behave as if I don't need the normal sustenance of other living creatures. I like to pretend I don't need food or rest or drink that is not booze. It's not true, of course. Despite all my chatter, I do eat, and I do sleep, and I do hydrate. I just try to do all those things when no one is looking and hopefully when none of it can be proved. I don't know if it's an innate rebellion against authority, but I fight nature every step of the way. You tell me I have to breathe, but I'm always thinking there must be a way around it. You have no idea how much I've tried to prove you wrong.

I guess I'm more forlorn at the idea of not being able to watch Star Trek all day while I'm working. And not being able to go hang out at LACMA while the sun's up. But I don't know. Maybe I will find something adventurous and unusual and else. Maybe my desk will be haunted or something. I always buy too many calendars. So, at very least, I will be able to get some use out of one of the ones I never decellophaned from Christmastime. Probably the Raoul Dufy one. And the Edward Gorey desk calendar. And maybe I'll drink a lot more coffee. And maybe I will find a sandwich shop I like. Or a sushi place. Or maybe I will break into an impromptu rendition of that song from Annie. And maybe I will get fired right after that.

Night After Night

I've had a series of unforgettable days. Benders. Party plots. Shows. Late-night excursions. Owlings. You don't get to be me and everything without living like this. Sleep is a concession. Saying no to social time a sin. I have squeezed every last bit of this weekend out of the metaphorical toothpaste tube. And I am content that none of the important chemistry was misspent. My mother bought me a new toothbrush, but it's for lefties. And that isn't a metaphor at all.

Street Smarts

I'd like to say that Kevin and I almost got murdered last night. But I don't really have any evidence that that's what would have happened if we hadn't gotten going when we did. Maybe Kevin saved our lives. Maybe he just cheated us out of hearing the end of a truly nonsensical story being told by a big black dude in a pith helmet who pronounces the "t" in "Chevrolet." I'd like to be able to say it was something truly harrowing or that we only narrowly escaped, but really I don't have any actual evidence that that guy (and the other quiet dude who came down the escalator and just stood there watching us) were actually going to do anything bad to us. Kevin heard some reference to cutting off George Washington's head and taking his woman and thought that might have been a veiled threat. I don't remember hearing that sentence. I was too busy trying to figure out how this guy was the fraternal twin of Marilyn Monroe.

He asked us if we were on our honeymoon, our would-be assassin. We were sitting on the steps of the closed Metro station, but I guess that looks more romantic than I think. I'm glad we weren't on our honeymoon, because we spent a good part of the valuable nighttime hours disagreeing about religion and politics and religious politics. And that's no way to begin a life together. The near-murder enabled us to end the evening in solidarity, as it seems we both would like to continue living for a while yet. We celebrated our arrival on common ground by watching Futurama Season 4. And then I drove home, because it was dawn, and I went to bed regretting some of the food and drink choices I had made. I brought twelve six packs of imported beer to Zach's barbecue, but all I drank was whiskey (which I also brought). Anyway, I'm good to have at a party is my point. But not a teetotalling party. I would do nothing but complain at one of those.

A Glimpse of Tuesday and Wednesday

Oh, what a couple of days they were. Good ol' Tuesday and Wednesday. Remember when this was the case?

And then this happened.



And let's not forget this occurrence.



The world wasn't red the whole time, obviously.



But there were often bits of red in it.



And this was what they made me wear when I was getting my hair cut.



Those sure were some fine times. I want to remember them for always.

Threnody

All the love songs in the world. The saddest ones anyway. Lay them all out side by side. All the loveliest. The tear-jerkingest. The heartstring-pullingest. The sigh-inducingest. The ones that make me sit still like a girl in the moonlight. How many of them come in variations of three. A waltz cadence. I melt like ice cream in three-four time. The right meter for mentioning dreams of you that won't come true.

I like six-eight, also.

Antipodean

I have a number of friends who -- for one reason or another -- have had cause to travel to Australia and/or New Zealand in recent months. I am envious as the color green can be. I almost visited when Kevin was there on an extended stay. But it never came together.

And then Kevin and I went to Largo tonight to see the Greg Proops Chat Show with Colin Hay and Dave Eggers. And there was apparently a sizeable New Zealander cohort in the audience, and Greg Proops had a chance to drop the word "antipodean," and I felt a bit cheated, because I had already started this post and entitled it as it is entitled before even leaving my house for Largo, but it will never now seem as if I knew that word first. What a competitive jerk I am. Seriously. All those times Greg Proops would make obscure references and pepper his sentences with arcane synonyms, I kept feeling this inane urge to tell everyone that I knew what he was talking about. Sure I know who Lotte Lenya is. And not just because she was in From Russia with Love. Hasn't anyone in the room heard Mack the Knife? You don't have to know anything about Bertolt Brecht to have heard her name before. Sheesh. But I'm a little embarrassed at how much I thrill to that. I hear Fredo protesting that he's smart. I wonder if that's what people hear when they see me. Knowing stuff. I don't necessarily have anything to prove. Do I?

Anyway, Greg Proops appeals to my elitist self. And when he was talking about his Italian suit, I sat there, a few tables away, and wondered if it was probably viscose. His eschewing of the outdoors falls right in line with my earlier Peter O'Toole-inspired sentiments. I am not a rugged girl. I am not outdoorsy. And I suppose I'm not ashamed of that. I like to go on picnics. But I like to have everything there with me. Even the one or two times I ever went camping, I brought a Coleman stove and made steaks and pancakes and everything. I enjoy the comforts of home. And I am only ever willing to give the appearance of making do.

All that and the addition of Colin Hay's occasional tales of life down under made me feel a certain longing for the travel I've yet to do. I've lived all over, sure. Way more than most people. But Australasia is still not represented in a colorful stamp on my steamer trunk. And I wish I could go there and see what's what.

Incidentally, if you are one of my friends in that part of the world, I invite you to consider this entry to be entirely designed to catch your attention and to give evidence that you have mine.

And if you're feeling like sponsoring me on an expedition or something, I'm game. Mary Forrest. Have passport. Will travel. Nearly anywhere. I'm not going walkabout or anything. But I'll take lovely Lomos of Sydney Harbour. Of that you can be sure.

Here's a bit of adorable.

My dad goes on urbanlegends.com for everything. EVERYTHING. He won't tell you anything unless he's made sure. And even then, he'll preface his announcement with the disclaimer that he hopes what he's saying doesn't turn out to be untrue. I don't know what's more endearing: the information he forwards to me or how responsible he is about disseminating it.

Thought Bubble
I wonder if anyone actually joins the Army or the Marines after watching one of beefcake-needs-a-bath commercial spots.

Towards a More Evolved Form of Communication

Well, my cell phone has been on the fritz. I can't take calls on it without having to switch to speakerphone. My earpiece won't work unless I pinch the wires just so. And even when I've got it on speakerphone, sometimes it just goes dead. A replacement is on the way. And I still have a home phone number that some people have. And I will get the earpiece replaced when next I am in San Diego, which may be in a matter of days.

I guess I don't really have any story to tell. I just wanted an excuse to say "on the fritz." How often do you get to say that these days after all?

Like a good neighbor.
So, my State Farm agent, Kimyee Ross, is the icing on a rather unpleasant cake today. After my car accident, I had the most difficult time getting people at the claims office to return my phone calls or update me on what was happening. Even Kimyee's office only provided me with telephone numbers to call which I had already been given and had already called. The day after my accident when I called to file my claim, Kimyee answered the phone but said she couldn't take the claim from me because she was with a customer, so she gave me a number to call. And later, when I was being offered a total loss amount on my car that I felt was unreasonable, I called Kimyee and asked for her assistance, and she gave me this whole rap about how she is my agent and that's what I'm paying her to do. That I shouldn't have to be dealing with any of this. And it's because of this level of service she provides that she's able to afford to take cruises. Yes, that's right. Cruises.
Well, since the initial furor of the accident died down, it's just been dealing with paperwork and figuring out logistics. My car was towed away from the body shop without my permission and taken to a place in Van Nuys. When I told Kimyee about that, she said that seemed incorrect and that I shouldn't have to drive all the way out there to get my personal belongings. That she would call me with the location of the salvage yard and also see if she could get my personal items delivered to me. Well, I never heard from her again. The next time I spoke with the claims representative, she was very apologetic about the poor customer service she said I felt I had received. Apparently Kimyee had given her an earful. But Kimyee never stepped in again. I negotiated my total loss myself. I called and got the address of the salvage yard. I went out and picked up my stuff on my own. And I will admit that, whether it was just the post-traumatic stress or the overwhelming nature of it all, I didn't always return phone calls promptly during that time. Mostly because dealing with it all filled me with such dread. But I got it all taken care of in the end. And in the past few weeks, when I needed help with a new auto quote -- because I am borrowing a car from my parents and want to make sure it's covered -- I could not get anyone to call me back. Kimyee had even given me her cell phone number so that I could reach her quickly. And when I left messages on it, I did not hear back from her. Say nothing of the fact that no one ever answered the phone when it rang.
So today I called both Kimyee's cell phone and her office phone and left curt messages expressing my frustration. And Kimyee called me back pretty promptly and proceeded to tell me that I was basically full of shit. She said that I have a reputation for not returning calls and that she has never not returned a call to me. And when I started to point out that she didn't call me back about this auto quote, she said that she didn't have to listen to this. She's no longer a State Farm agent. And I said, Okay, then, who should I be talking to? And she said, "You know what? You can just look it up yourself. I'm not going to give you the number because I don't like your attitude." And then she hung up on me.
It's funny. I don't have any massively emotional relationships to contend with. My mom occasionally makes me cry. But that's about it. For the most part, my relationship life is pretty even-keeled. No great drama to speak of. Maybe that's why my brain is ill-equipped to handle the amount of frustration and injustice and fury that well up in me when something like this happens. And maybe it's because I had just spent 40 minutes on hold with Cingular trying to get my phone replaced, the first 20 of which were spent on hold before getting summarily disconnected and having to call back and wait on hold for 20 minutes again, all while listening to 12 looped measures of incredibly monotonous guitar music. Maybe my nerves were a little raw. But when I went to State Farm's web site and located another agent nearby and called to ask how to proceed, I ended up crying into the phone like a big stupid baby. Embarrassing.
This new agent appears to be the bee's knees is the upside of all this. And he is getting me a quote and making all the calls for me and just generally being a right peach. But I wanted to make sure that -- if in a fit of vanity -- Kimyee Ross was ever to Google her name, she would find that someone took the time to write about what an unprofessional, insufferable jerk she was. Like a good neighbor.

Paper Nautilus

I recently added a quotation to my Lines I Like page. It was said by Peter O' Toole, and I wish I could marry it. "I can't stand light. I hate weather. My idea of heaven is moving from one smoke-filled room to another." Perfect. It should be the basis for a religion. And honestly I don't even know if this is absolutely true for me. I certainly find pleasure from time to time in the out of doors. I've called many a day lovely before. But mostly, I like inside and air-conditioned. I like rain when I'm not in it. I like sun when it's not on me. I like snow when it's in a photograph. Or when it's made of cotton or wax. For my money, the sun is only really great when I'm in the mood to take pictures. And a smoke-filled room sounds like conversation to me. And I do so love it when people aren't yet calling it a night.

Delirium
It's hot outside. Beautiful and sunny and hot. I was walking Audrey and thinking about the heat and thinking about how a mirage is really just what happens when it's so hot that light reflected off the sand in the desert looks as if it might be a bit of water. It can happen on asphalt, too. Anything that glints a bit. It happens when I drive to Las Vegas. It happens on the streets of Los Angeles. But for anyone who grew up watching Looney Tunes, a mirage is the illusion of an actual oasis in the middle of the desert. An hallucination brought on by the heat and dehydration and the need for something to be humorous in the cartoon. In a Looney Tunes mirage, there are lush, verdant groves of un-Saharan tropical fruit trees and ladies in sarongs and waiters in fezzes and grand pools of cool water which, when the protagonist goes for a dip, become apparent to us to be just sand, and there our hero sits, splashing around in sand and looking the fool.
I don't think I actually came to understand the real meaning of the word "mirage" until I was a teenager. And habitually, I still sort of imagine the palm-fronded oasis when I hear it said. It's the place you would go if you could at that moment. The place that has everything you most want, even if it clashes with the latitude you are actually in. It's a glimpse of the heaven you would fashion for yourself, because some part of you knows you are about to succumb to the elements, and you might as well go out happy. I can already picture what my mirage would look like. I know what faces I would see there. It would be like that scene in Titanic when Rose finally snuffs it and she returns to the ship to see everyone in their undrowned finery. All the faces you love are there. All the people you've lost. The ones who have fallen away for whatever reason. Everything that is out of reach. And I suppose if I was dying because of the heat, I might also want a great swimming pool. Because I love the way it feels to be in the water. Even though I am delicate enough that I sometimes get seasick on a kickboard. I love fireplaces, too, though, so I wouldn't be surprised if there was one of those. And probably some kind of steak dinner. And a book of all my photographs. And a bed with thousand thread count sheets on it. And music that everyone likes. My mirage is beginning to sound a good deal like my actual apartment. Only less cluttered.
The heat troubles me. It makes it hard for me to sleep and hard for me to rouse. It makes my head heavy. I dream a lot. Or I lie still and think a lot. I watch the clock. I get restless. Something about the way the world smells when it's warm out reminds me of other summers. Only the ones I've spent here, though. It's a very specific recall. My skin. The hot street. The thirsty grass. Maybe a hint of that Cuban place down the street. I walked in this before. And returning home to the shade was always a relief.

Guilty. Sighted.

A few months ago, I was sitting in my car with my friend John on a little side street in Hillcrest (a community of San Diego). It was getting on to four or five o'clock in the morning, and we had been talking for some time. Long after the bars had closed. And I began to notice people on the sidewalk as it got closer to morning. At one point, a blind man crossed in front of us, tapping his way up Sixth Avenue. I made some glib comment. I assumed he wasn't really all that blind. Why would an actual blind guy be out at this hour? But then, as we watched -- and despite his diligent tapping -- he walked directly into a bush and had to reorient himself in order to continue on up the sidewalk. He looked sort of like an RC car that gets driven into a corner and has to back up a few times before it can fully turn around and get going again. I felt really guilty for having doubted the extent of his blindness. And I felt guiltier still for having just sat there and watched him walk into that bush, where he could have tripped and fallen or hurt himself. He got on all right after that. But I sat very still and hoped he couldn't hear us talking in my car. The last thing that guy needed right then was to know that two people had watched that whole scene. I'm very clumsy. I've actually opened cupboard doors right into my own face before. But fortunately, I'm usually alone when this happens and I don't have to cope with the humiliation of a derisive audience. In certain circumstances, all I have to worry about is what lie I will make up to explain the big bruise on my face. But there was one time when a group of work friends had come up to my apartment in Cardiff, and we were watching Tampopo and eating all sorts of goodies. And I went to make cappuccino, and I totally walked my face right into a cupboard door I had left open above the counter. I didn't lose an eye and there was no bleeding, so I suppose it's not so bad that everyone laughed and laughed. Incidentally, I don't hear from any of those people anymore. And good riddance.

Seedlings

There may come a time when I will look back on all of this and feel something.

Threading the Spindle

For some reason, my journal entries have felt somewhat chore-like this past week or so. I let so many things slip through the cracks. Stories I don't bother to tell. I hear myself speaking them to the people I know and run into on a regular basis, and I lose my zest for making them permanent.

For instance, last week, I drove to Claremont to see a dinner theater matinee performance of A Chorus Line with my dad, who had bought tickets for himself and my mother only to later find that my mother was going to be out of town. So I drove fifty miles and joined him and this church group of older folks. They call themselves "55 Plus," but, let's face it, I'm closer to 55 than most of these people. "55 Plus Thirty" might be a better name. Anyway, when my father said it was going to be a church group and also that it was going to be A Chorus Line, I said, "Are you sure? Because you know there are some mature themes in that show." And he sort of shrugged it off. But sure enough, long before the number "Tits and Ass" even came up in the program, the pastor had excused himself out to the courtyard and apparently had no intention of coming back for the rest of the show. The fellow who organized this affair came back at intermission and told everyone that they were going to leave. And I was surprised to see my dad decide to leave with all of them, ditching me there, fifty miles from home and only halfway through a show I didn't really want to see so urgently in the first place. The people I told this story to heard me say things like, "Christians can be so immature," and make my case about the strange elitism they use to condemn all things secular. I talked about the idea of their being fishers of men, but apparently only of men who never talk about the unwanted erections they used to get in high school. My father is a right grown-up, and I don't think he would have left had he not been pressured to by all those cranky old skinbags. He even leaned over at one point and told me that one of the women on stage was really good. Clearly he can handle a little language, which is all there really was. I got into a frustrating debate with my Uncle Virgil about the content of the show. He threw around generalities that implied that the creators of this show put smut in it to make more money. And I had to object that I can't imagine paying a premium to hear the word "bullshit" said in a crowded room. I mean, if they put some horsefucking up there or something, then maybe. But mention of gonorrhea is no great shakes in my book. And he started telling me about how a show like this would never be done in a town called Branson. And it only got more inane from there. My dad even chimed in and supported me at one point when I was trying to say that the language and content are in there because of a desire to faithfully represent the community in which this show is taking place. Much like one might expect a play about the Navy -- and not Anchors Aweigh -- to have some language in it. And possibly horsefucking, as well.

I think I was going to call the blog entry I planned to write One Singular Sensation: Outrage. But I never got around to writing it. Anyway, bad as I felt about the cast coming back for Act Two and seeing this one table right down front empty of its former thirty occupants, I ended up leaving at intermission, too, because I decided I might as well beat the traffic back to Los Angeles, whence I immediately left for San Diego to drop Audrey off before my birthday weekend. Then I went and had some drinks, and I ended up driving back to Los Angeles at about three a.m. All told, I put about 350 miles on the car I am borrowing from my parents in one day. And I think I am still a bit tired from it.

That same day, I made a note that I've never been kicked in the yarbles, but I have fallen hard on the cross bar of a ten speed. I don't remember why I wanted to remember that fact. But I remember that it happened when I was in grade school and that there was actually some bruising.

I also went to see House of Wax last week, believe it or not. And it was really far less good than I could have ever imagined. Less good than House of a Thousand Corpses. Seriously, less good than that. And Paris Hilton gave an infuriatingly bad performance. Not that anyone else in the movie was particularly convincing or likeable. But Paris Hilton can't even convince you that something smells bad. And I'm not joking about that at all.

Tonight, I went to see Revenge of the Sith at The Arclight with Wayne Federman and Derek Hughes and Martín. I actually had a great time. I laughed at parts of the movie that were not meant to be funny. And I would look over at Martín from time to time as if to say, "What the...?" And he would nod in concurrence. He had already seen it twice before tonight. Which I appreciated, because there were a couple of times when I needed someone to tell me what had just happened that I couldn't discern with my logical brain. I don't want to write a lengthy review about it. I was made uncomfortable by the repeated use of the word "younglings." I was ever so disappointed in the Wookiee "battle" scenes, which had been far overhyped in geek discussion circles when the teasers first came out. And -- this will sound really awful of me -- but Peter Mayhew is too fat to play Chewbacca anymore. Unless we are to believe that twenty years later his metabolism finally hits its stride. There were a lot of battle scenes that reminded me perhaps too much of Starship Troopers. Or droids that reminded me of the Mondoshawan. Or of Captain Eo. And I tire of the trend in action films today for the combat to be so fast-paced that you can't see a single move distinctly from anything else that is happening. The lightsaber fighting looked like colorful windmills or maybe some sort of glowstick nunchaku thing at Burning Man. The art and elegance of swordfighting is utterly lost in them. When I was at the bar before the movie started, a greasy-haired youngling with one of those plastic, retractable lightsabers said this to his father, "Dad, I have a question. Do you think those lightsabers are real?" He was referring to something he had seen someone wielding outside the theater. And I found it both sweet and sad to overhear him ask, because it's great that children want so much to believe but he was clearly too advanced in years to be that naive.

But, really, in the gestalt, I enjoyed watching the movie. It was fun. And I didn't have anything at all riding on it being more than that. And my most stalwart advice for enjoying the movie in a zen sort of way is (a) have a cocktail or two before and/or during the screening and (b) don't let your brain start thinking about how good it could have been. I think the biggest letdown in all three of these films has been how obvious it seems to nearly any eye that the problems could so easily have been fixed. And if you don't lose yourself in the frustration of that idea, you can still watch it and be okay and not busy your brain with cutting dialogue from scene to scene or reworking premises when they make no kind of human sense. That's the way to play it, if you ask me. There is forgiveness in forgetting and forgetting in forgiving. And Natalie Portman and Ewan McGregor both have a surprising number of growths on their faces.

Martín and I agreed that the moments when foreshadowing of continuity showed up were the greatest pay-offs for us personally. It satisfies something of the geek in you (read: "me") to hear names or scenarios mentioned that you know will be coming into play in the following episodes or to see the two suns of Tattoine and that weird little igloo house. And I am still a great fan of the music. That callback to "The Duel of the Fates" was pretty nice. I remember hearing John Williams conducting the L.A. Philharmonic in a performance of that at the Hollywood Bowl back in 1999. It's hard to believe this second trilogy is already that time-spanning. My, but how easy it is to throw a huge chunk of your life away on stories and stuff.

I haven't been feeling so hot this week. My vim is at a record low. Anxiety begets anxiety. Staying up all night makes it hard to sleep. I went to a few comedy shows early in the week and fulfilled my typical food to drink ratio for a night out, meaning I ate nothing at all and drank a bit more than that. I went to the Joe Jackson/Todd Rundgren concert in San Diego and stayed out until dawn playing cards and drinking and generally disregarding the fact that I had to drive back to L.A. the next morning. Sometimes, I expect to wake up in the morning and see that I've suddenly aged a huge number of years. Like the dude who chooses poorly in Indiana Jones and the Last Crusade. I should take some vitamins. I don't have any desire to see what the bones under my facemeat look like.

Refined Sugars as Emotional Conduits

I feel sorry for children who get granola as a snack. Or trail mix. Or some sort of carob. I always have. Back in the days when I was a babysitter. Or when I would see what people brought with them for lunch. Or when I would go over to a friend's house after school and be offered refreshments by their mother. There were the cool kids whose moms gave us brownies and made quesadillas for us in the microwave. And there were the "other" kids, whose mothers enthusiastically offered wheat nuts, yogurt-covered peanuts, and perhaps the opportunity to eat some dry Life Cereal out of the box. Do I really think mothers who give their kids Snickers bars love them more? I guess I do. I guess I don't think that carrot juice is a treat. And if a child has been raised to look forward to that, I sort of feel bad for them. Like they are less prepared to face the rigors of normal human existence.

But then the kids eating granola as snacks are also usually wearing sandals (and I mean the boys, too) and madras shirts and I wouldn't be surprised if something in their outfit was made of hemp. So, yeah, they're easy targets for my elitist pity. How can those little rubes fend for themselves out there? It might just be me. I don't even like restaurants to indicate which of their menu items are "heart-healthy." I feel very rebellious about healthful eating. I shop at Whole Foods a lot, and I buy really great stuff. But if it happens to be fat-free or low in carbs, I need for it to keep that information to itself. You can't think celery is delicious and also be any fun at a party. I'm sure of this.

By the way, Quaker Chewy Granola Bars and Kudos don't count in this discussion.

And while I'm on the subject of elitism, I should report that Wayne Federman and I had a lengthy conversation today during which he tried to make me feel bad about being an elitist. I guess the truth is I'm incredibly self-deprecating and insecure, but I also manage to look down my nose at a bad outfit or an uninformed argument or a classic rock station programmed into your in-dash stereo's preset buttons. I won't deny that I have elitist tendencies. I will also say that I don't think there's anything bad about that. It's kind of hard for me to come up with funny things to say if I truly subscribe to the idea that everyone is basically intelligent and worthy and deserving of the same bounty in life. I'm not judgmental in the awful sense. I'm not intolerant or narrowminded. I just think it's far more challenging to make any real observations about the people around you when you're standing right there next to them on the same level where you can't make a face without them seeing it. Right?

Human nature. Canine corollary.

Audrey was so happy to see me when I arrived at my parents' house on Wednesday. She was jumping up in the air and wiggling around and wiggling while jumping in the air. She reminded me of the heyday of David Lee Roth. I took her out for a walk, and she just kept jumping up and wanting to be held and yipping and yelping and lolling her little tongue. She sure is nuts about me all of a sudden. This is the longest she's been without me since I got her last summer, and she loves me more than ever apparently. Maybe she had to fear losing me to realize I was so awfully great. Maybe she had to live in the absence of me for a week or so, eventually coming to believe that I might never be coming back, before she realized how awesomely well I treat her. Maybe. If so, she's practically a person. And that's something I've suspected all along.

I know it's sort of old hat theory-wise, but it's really true. No one ever seems to like you very much when they can see you every day and have access to your attention and affection. Even when they really, really like you, they can't help but take you for granted when they get everything they want from you and all the time. This really jostles any notions I might have had about how real and meaningful relationships can ever be sustained. I guess at some point you have to matriculate out of one thing into another. But then maybe you just both have to keep mum about the fact that anything has changed. You both have to pretend it's just as fancy and excellent as maybe you thought it was when it first kicked off. And you have to block it out of your mind that things settling into normalcy is, by design, less exciting than the fever pitch of the early giddy stages of crush and blush and fluster. You have to tell yourself it's better because it's more grown-up. More evolved. What separates us from the beasts. And you have to outwardly look down on other people who think being single is so great. Perhaps. But let's not forget that this is all emanating from an observation I made about my dog.

Yeah, yeah. Absence makes the heart grow fonder. You only want what you can't have. Don't know what you've got until it's gone (that's a Cinderella reference, yo). Popular culture makes my case for me. And if all of this is true, I suppose it only makes sense that you can only really be deeply in love with anyone when you're sitting there in a room by yourself tearfully reviewing the pictures you have of that one barbecue you went to together that weekend before it all turned to shit. For all intents and purposes, Valentine's Day should be a night of quiet, solo reflection and contemplations of suicide. And I guess, for a lot of people, that's exactly what it is. Wow, the more I think about this, the more it sounds like science!

The Eve of the End

A lot of my friends with various industry connections have already seen Episode III. Cast and crew screenings and the like, filling their lucky calendars while I gather up the scraps of IM and text message they send, assuring me that I will be leveled by Palpatine (which I fully expect to be the case) and that I will be able to love the movie, even though there are parts of it that are shit. I was supposed to go see a midnight screening at the IMAX theater in Valencia tomorrow night, but I am holding off. I bought tickets a while back to one of the Arclight's Friday screenings, and I have learnt the hard way on a number of occasions that I might not actually want to see a movie twice in the same week and will end up either resenting or wasting the tickets I've already got. Also, I am being taken to see Joe Jackson on Wednesday night by my bartender friend Jeff, and that might be a good time. Piggybacked on the necessity of driving down to San Diego to pick up Audrey, who has been living with my parents for five days now and will probably be fat as a tick when I get her back. We've never been apart for this long. And I have to admit that I miss her enormously but that I also cherish the ability to wake up and not immediately have to leave the house to walk her and pick up her leavings with a little plastic bag. Plus, there's a guy that lives across the street from me who always manages to pop out his front door and accost me with overly familiar questions as soon as I leave the house. He's assured me that he's perfect for me and that my parents would be proud to have him as a son-in-law. But I'm pretty sure he's wrong about both of these things. He makes me wish I could be invisible from time to time.

Anyway, so Star Wars, right? Many of my friends will be watching midnight screenings tomorrow, and I envy them in a way. When the special edition re-releases came out, I queued up hours in advance for each of them and watched them on the big screen for the first time ever. And when Episode I finally occurred, I waited in line for twelve hours in a shopping mall with friends, taking turns to go shopping and get refreshments. And by the time midnight came around, we were tired but excited. I was just talking with Martín this weekend about how disrespectful some of the cinema-goers were at the screening of A New Hope, and he agreed and countered with his recollection of how comparatively respectful the audience at The Phantom Menace was. I hypothesized it might have been that they were too exhausted by the weight of their costumery to make much noise.

I don't know what to expect from this week's screenings. Will people be reverent? Wry? Hopeful? Cynical? Will someone yell out a sarcastic exclamation during a moment of relative quiet? Frankly, the product marketing that goes along with this film's release doesn't do much to encourage me about the respect people will have for the franchise. Darth Dew-flavored Slurpees? M&Ms insisting they won't go to "the Dark Side" and then changing their minds and agreeing to be made of dark chocolate before following in Captain Needa's well-asphyxiated footsteps. And what about that creepy face-off between Darth Vader and the Burger King mask? These commercial spots hardly present an attitude of reverence. I lived overseas and wasn't able to watch a lot of television when the original films were being released, so I don't know. Maybe the product tie-ins were just as weenie back then, too. I know they made C-3POs (the breakfast cereal) and stuff. It's not like they were treating it like a religion. Maybe it just seems weirder and more blasphemous now because so much of the character marketing centers around Vader, and maybe before he was the black hat, so kids were more inclined to buy things that were promoted on more lovable faces. I don't know. This is pure conjecture.

I can also offer some strong-ish opinions about the disappointment so many have felt in the continuation of the Star Wars legacy. I don't think it's fair to dismiss it as fanboy overenthusiasm that landed wrong. It's true that people were sorely disappointed in The Phantom Menace and Attack of the Clones because they had banked so many youth-spanning hopes on the revival of this story arc and the promise of it somehow reconnecting them with a hero's journey that had once packed their boyhood minds with dreams of valor and redemption. But I don't think it's fair to say that people were bummed only because the pedestal was too high. Truly, those first two prequels were pretty awful. I maintain that if you just sit and listen to the dialogue in Attack of the Clones, not bothering to look up at the breathtaking digital landscapes, you won't be able to bear it for long. You'll beg for a chance to reread Silas Marner instead. It's bad. Empirically. Badly written. Badly acted in places. Implausible and plodding. The redeeming factors in both of those movies is that Star Wars films still have some of the best music ever, and George Lucas sure knows how to make fake stuff look real. And that's not nothing. But I don't think you can -- even with the addition of time and perspective -- assess these films and say that the world overreacted when they gave them the raspberries. They're just not nearly as fun to watch as the other films, even if you only want jaunty entertainment out of them and not an elevated sense of the importance and meaning of the universe. I think I can speak to this with candor and accuracy. When The Phantom Menace came out, I didn't have that much riding on it. I loved Star Wars, but I really hadn't gotten to see the whole trilogy until long after it came out. I saw A New Hope for the first time on network television in Guam, with commercial interruptions and everything. And back then, television programming in Guam came from The Mainland via postal service on VHS tapes. It was hardly the finest cinematic reproduction. But we taped it on our Betamax and watched it again and again. Even my dad liked it. Or maybe he was just tired of how many times we had already watched The Wizard of Oz and Quarterback Princess. My point is I never had a Star Wars lunchbox. I never had an R2-D2 trashcan or hamper. I did not know Admiral Akbar's name until I was already able to get into bars legally. And even I was disappointed in the first two prequels. Genuinely disappointed in them as movies. Not as Star Wars movies or as a religious experience but as actual movies. So I don't buy this philosophy that it's only bad because of how much people wanted it to be good. It took some of my other die-hard friends as much as a week to come around and admit that The Phantom Menace was kind of crap. Some as much as a year. Some never did come around, but I secretly believe they never saw it.

All the same, I sincerely want Revenge of the Sith to be awesome. I will not die if it isn't. I am not expecting or demanding transcendence. But I totally do look forward to hearing that music again. And hearing the crowd cheer when the words start scrolling off into the vacuum of space. And maybe I'll even get weepy when the theme plays in the end credits. Maybe.

Looking back on it, that screening of the special edition of A New Hope was among the first two or three times I ever even saw Martín. He came from work, wearing a blue dress shirt, suspenders, and his Tigger tie. He had just recently (and fortunately) cut his hair. I was already in line, having eaten dinner at Taco Bell. And I was wearing a skirt too short for sitting on the ground, but I sat just the same. Now, all these years later, he and I still talk about droids and alien species and ships and blasters. We still argue about whether Return of the Jedi is better than The Empire Strikes Back (note: it isn't). We still feel pity when we pass the Uncle Owen autograph-signing booth at Comic-Con. And I guess I can trace all of that back to San Diego and Noel Coward and hot tub parties and road trips and special edition re-releases. It's not the basis of our friendship, but it certainly poses as underpinning in places. What a long time ago that was.

Looking Back. Bad for the Neck.

And I've got to be careful about such things. Friday, I visited my orthopedic surgeon's office again and discovered by way of my MRI results that I have two discs herniated in my neck. Which explains the continuing pain I feel and the weird numbness in parts of my arm. I guess I'm a bit glad that it turns out I'm not just having phantom twinges. I'm often suspicious that I'm inadvertently faking my ailments. I don't like to be sick or to admit that I am. It's easier and less expensive to pretend it's all in my head.

I'm not one of those people who peaked early. The high school chapters were not my glory days. I was a great student, but I did not cry at my graduation. I was glad to be moving on. I was giddy and hopeful, dying to get off on my own and into college and my diamond-studded future. A future which, for the record, never came. At least not in any jewel-encrusted form. I'm not happy about that part so much. But I am glad to say that I don't feel as if it will never be as good as it was way back when. I have never ever felt that way. I have never thought that I had just crested the highest peak in the range and that everything else would be forever pale in comparison. Never ever. I don't know if it's pragmatism. Or if it's because I'm generally so sure that things aren't that great that I'm compelled to look forward to whatever might be coming next. I just know that some people were really happy in high school. And I was not one of them.

I was watching that Z Channel documentary the other night, and, first of all, watch it. It's awesome. I never saw Z Channel, but that film sure makes me wish I could have. Even if it had ever been available where I was living, my parents never paid for premium channels. They didn't even shell out for basic cable until after I'd left for college. But Z Channel. What a little bit of right up my alley that would have been. If you look at the DVDs and laserdiscs on my buckling bookshelves, it might appear that I take a lot of my own personal programming cues from Z Channel. I'm a little light in the European smut department, but the rest of the arty genres are well-represented. As are the films of John Cusack for some reason.

I can't figure me out sometimes. I live in the past in some respects. But always someone else's past. Always some sort of throwback. Some categorizable genre. A version of something that hits all the marks. The perfect 1962. The quintessential 1938. I like to daydream those times. I like to watch movies that take me there. I like to go to vintage stores. In my own life, I think about a lot of what has happened to me more often than anyone professes I should. But I also spend a lot of my synapse-firing on looking forward. Anticipation is the only thing that keeps me from sitting still on my couch for so long that my flesh grows over it. Wanting to be ready for what comes next. Gearing up. Planning. Pushing. Yearning for everything that is else. And oh how I have always loved stories about the future. Even boring ones about robots and morality and the slippery slope of man's hubris.

I guess I'm just unpleasable. And I don't think anyone will be surprised by that.

Birthday: An Epilogue

I had the best time. The best best time. And I don't have to resort to hyperbole to make this claim. If you were there, thank you thank you thank you. If you weren't, I only hope you ever have so lovely a time at any other point in your life. If I could give the entire world a gigantic kiss, you would all so have my tongue in your mouths.

Things that bother you never bother me.

It's my birthday. I did some improv at the Black Box last night, before which I had a few drinks with Traci at the Velvet Margarita and then at the I.O. bar. And then I went to Birds. And then I drank too much there. And then I was not feeling so hot. And then I came home. And then I slept in my clothes. I don't have a hangover, but I so should.

For my money, it's good to have gotten the miscalculations about my alcohol capacity out of the way early. Because today is going to be super in every other respect. If I have to make the whole thing up, it will be super.

Oh, what a night.
My friend Evan is touring with Dick Dale at the moment, and I told him that if he was to have Dick Dale call my cell phone and play Misirlou into it, I would worship the both of them for the rest of my days. And tonight, while I was in workshop, Dick Dale left a private performance of Misirlou on my voicemail, and I think that is some cool ass shit.
I discovered this when I was leaving workshop and on my way to Birds, at which time I found a parking spot on Cheremoya, and I was walking past a parking enforcement guy, who asked me if the car he was about to ticket was my vehicle. And I said, "No, I just parked over there." And he said, "You're gorgeous. Thank you." And I couldn't quite tell if he was just applauding the legality of my parking, so I just smiled and went on my way, and he said, "You heard what I said, right?" And I said, "Yes. Thanks." And he smiled and said, "Unbelievable." And I don't know what was so very awesome about my look tonight, but I suppose I recognize that I shouldn't shrug these things off entirely. Later, when I was driving home and that song When You're Fat by Bruce McCulloch came up in my iPod rotation, I thought, "Yeah. I guess I don't have it so bad."
Traci and I went to Birds and were having a great little chat over a shared veggie burger when one of those generic red glass candle bowls came tumbling over the ledge, shattering my glass of Jameson, shattering itself, and splattering white wax all over my face, my décolletage, and three articles of clothing of which I was particularly fond. This girl popped up above the ledge in some semblance of concern as I screamed, "What the fuck!" She was very apologetic. She had only just touched it with her hand. Were we okay? We were, but honestly, there is no plausible excuse for knocking one of those candles over. It was situated well out of range of normal arm movement. Unless she was standing up in her booth and flailing around in some amount of ridiculousness. I do not feel at all forgiving. I wish I had made a point of remembering her face, beacuse if I ever see her again, I would like to throw something melted in it.
The hostess comped us our everything and brought us replacements, and that was all very nice. But I still have a ruined outfit and a sense of indignance that in the last few times I've been to Birds I've lost my favorite digital camera, missed out on a party I should totally have gone to, and gotten spattered in a dangerous portion of hot wax. Perhaps the universe is converging on this one locus to let me know it's not where I should be spending much of my free time. And that's a shame, because Laurie and Bob are so unbelievably nice, and the drinks they pour are so unbelievably generous. I guess it's awesome that I pay so little attention to the universe and its cryptic means of messaging me. For my money, if the universe wants to tell me something, it can pick up the phone and call. Dick Dale did, after all.

For the love of Seabee Sam.

My dad sent me an ecard this weekend. If Stephen Hawking's voice modulator were to be used by a hyper-intelligent dog to say something sweet to me on behalf of my father, this is what it would sound like. The dog blinks poignantly at the end of the message and everything.

Skirt-Pulling

My parents' home is near a school. It appears some child lost one of those red four-square balls in the wasteland near their property. It's been out in the sun so long, its faded, misshapen, once-spherical form now looks dimpled and cratered and dull where it once shined, like a stray planetoid, poking up out of the dirt. There are snakes out there in that dusty, brushy open space. I just know it.

Last week, I drove down with Beulah and Justin to pick up the car I will be borrowing from my parents until my insurance business is settled. I was tired. Stressed. Maybe a little sad. The whole weekend had felt that way to me. A lingering sense of endings. Anticlimax. The doldrums. And I had a smidgen of headache. Exacerbated by a number of the hair band choices in Beulah's playlist that day. But somewhere along the way, I changed my mind about my mood, and we sang along to power ballads that require the stretching and straining of vocal limits. Night Ranger. Extreme. Steelheart. Sheriff. G N' R. It was hoarse goodness. Poor Justin. I'm sure he hated every minute of it. We sing like banshees, Beulah and I.

I hate to sound unbearably earnest, but music sure is magical. And it's really just recently that I've recognized that I don't always have to be so vulnerable to it. Certain songs evoke memories and feelings and pangs of things. But many of them have been around long enough in my life's radio that there are layers upon layers of these memories. And it doesn't take much excavation to unearth a memory beneath whichever one you first encounter. Especially if that one makes you want to cry or call someone you shouldn't or buy something you can't afford. I was listening to Aimee Mann and Elvis Costello harmonizing in The Other End (of the Telescope), and at first it made me sad. I thought about putting this song on many of my mixtapes. Hearing it in the car with this guy or that one. Thinking things about the lyrics and wondering if what I was thinking showed. Or hearing it more recently and having the memory of remembering it and feeling sad for all that has and has not happened in the interim. But clicking back a few iterations to the earlier memories -- the not-sucking one -- has its charms. I was running the other day, and I got bored of my usual running playlist and started playing road trip mixes from ages ago. And it was perfect gorgeous outside and the running was super difficult but also wonderful. And I hearkened back to a much, much earlier listening of this song, riding a Greyhound bus from Ithaca, on my way to go visit my high school sweetheart. It was snowing and grey outside for most of the trip. I leaned my head against the window. The glass was cold and damp. I was poor. A college student. And I never did get a warm enough pair of shoes in the time I lived there. And there were flecks of melancholy in that story, too, but it did not hurt to think of them. One day, I expect the layers will mount, and I will be similarly unmoved by the stories that now abrade. They will be buried by everything else. More important things. The hierarchy of recentness. Everything will be forgotten. And as I forget, I cringe a little, knowing that I am also being forgotten. A great Etch-a-Sketch being shaken, if slowly. But you can't erase just one part of it. No matter how careful you are. Eventually the whole thing goes blank, and you start over. And wonder why there isn't more color in the world.

I have been in San Diego for a couple of days. Friday night, my family and I went to Tip Top Meats and ate meaty German food and the many cabbage dishes that come with it. Afterwards, I met friends at Cane's to see Tainted Love, an '80s cover band that helps you gauge how many of the lyrics you know to songs you were sure you used to hate.

We drank and danced and got sweatier than I usually care to. Then we went to Nunu's, and I got an earful from those who knew me about my new hairdo. I've noticed that a lot more people talk to me -- and for disconcertingly longer stretches of time -- than when my hair was not quite so fair. It is requiring me to be more brusque than I normally would ever be. It makes me want to dye my hair brown with grey streaks and wear nothing but sackcloth.

After Nunu's closed up shop, I took Krissy and Mike to that Mexican place near their house, and then we went back to their house and watched Blade Trinity with the housemates. For clarity's sake, I watched it. Everyone else slept, two of them actually sleeping on me in some fashion. I drove home at dawn.

On Saturday (yesterday), I went for a swim. A perfect swim in a perfect pool that made me reluctantly thankful for the sunshine and all the damage it is doing to my skinsuit. Beulah and I met up for some Mother's Day shopping. I had to leave before I wanted to. I had shows to do at the comedy theater. I did them. I had to sit on my hands a lot. But I did play the part of an infertile woman again and got to end a sentence with "unless your uterus looks like a raisin." And a little girl in the front row asked me after the show if I'm really barren, and it was such a precious little moment. The girl who sat next to her then told me that her brother isn't very nice because he sometimes kicks her "in the private." And that was precious, too, but for altogether different reasons.

After the show -- and another encounter with a persistent stranger named Bertrand who thought my hair and shoes were reason enough that we should be the very best of friends -- I ended up at the Lenz house again. I made a pretty good Chewbacca sound for the first time ever. This time I got home by five or so. But still.

Today, we celebrated Mother's Day by having a gigantic barbecue of assorted meats. I spent more time in the pool. I am a temporary frecklepuss. I practiced juggling with balls that are too light and too large for my small, imprecise hands. Beulah and I played games in the water. Audrey swam with me and rode me around the pool like a raft. And then all of a sudden it was now. And there was nothing much more to say about that. Except that I am coming home soon. And I am glad of it.