Ceaseless Entertainment

Bravo for Superman Returns! I enjoyed it so much. See, Matt? I can like movies. I really can. And I did like this one. My one nitpicky complaint is that Kate Bosworth's wig action was pretty awful. But I didn't even care. And I don't like Kate Bosworth. And I REALLY don't like Kevin Spacey. And I thought Parker Posey looked terrible. But that didn't stop me from thrilling. And Ottman does such beautiful things with the parts of the original Williams score he repurposes. Such beautiful things.

Not everything was plausible. Not everything made sense. But the things I think were most precariously at risk were worried for on no account. What a rotten sentence that was. What I mean is: Brandon Routh was perfect. Even the re-envisioning of how Superman moves is especially wonderful. His physical abilities seemed so much less corny and clunky. His flight is balletic. He can turn over and do the backstroke. He can do anything. And I believed it. So, he didn't underact or overact. He didn't make it look like a sideshow. Gay, you say, Beulah? More like gay-REAT. Wait. That doesn't sound as good as I meant it to either.

When I was at the comedy theater over the weekend, I was talking about how bad X-Men: The Last Stand was, and I was accused of being unpleasable. But this was my point. Brett Ratner is no Bryan Singer, and never the twain shall meet. Except maybe at a disco party in the Hollywood Hills. Bryan Singer is a wonderful filmmaker. Whether you love or hate the superhero genre. Whether you think comic books are canon or crap-wiping paper. He makes movies that don't rely on the genre to tell their stories. I feel as if I'm about to compare him to Nicholas Meyer. Someone stop me before I drag Captain Kirk into this. But back to Bryan Singer. I don't know his actual influences, but you can appreciate him for the (early) George Lucas or the (early) Steven Spielberg in his work as much as you can for the William Wyler. Brett Ratner, by comparison, is good friends with Russell Simmons.

I'm sure there are things that will crop up if I see it again or discuss it with more people. Violations of the myth. Bum-outs over the crisis. Questions about the science of kryptonite. The friends I saw it with hashed through some of these things outside the theater, but then Kevin and I had to jet off to see Eddie Izzard, who was also impressive and hilarious and wonderful. He reprised one of the bits I remember from Sexy, which I saw in 2003 on three different nights with four different people. But it was nearly all new material, all delivered in his hallmark smart, endearing, tangential way. I will see him again this week. And I will marry him one day, if he will have me.

I have a review of the changes to the Pirates of the Caribbean attraction at Disney's Disneyland on deck, too, but I am very hungry.